#SELMER ALTO SAXOPHONE MARK VI PLUS TUTOR SUPPORT#
#SELMER ALTO SAXOPHONE MARK VI SERIAL NUMBER PUTS IT#

Over the hype of a Mark VI Then look no further We are now happy to also recommend the BetterSax Alto Saxophone. But why?вЂќThe BetterSax Alto Saxophone. вЂњWithout a doubt, the most famous and sought-after saxophone around the world is the Selmer Mark VI. It is an early Sanborn serial, original lacquer, American-engraved SN141xxx, with vertical Mark VI stamp by the D palm key, AND it has low A, AND it has high F (which I have rarely seen on VI altos of this vintage), AND it is in. Selmer Mark VI Alto Low A / High F 141xxx This is one of the coolest Mark VI altos that I have ever seen.

Selmer Alto Saxophone Mark Vi Serial Number Puts It

This is just after Selmer introduced the medium bow, giving it great intonation, incredible response and tone. The serial number puts it in the most desired 1967-1968 Mark VI alto range. The sax has around 95 of its original lacquer. At only 649, you really canвЂ™t get a better instrument at this price point.1968 Selmer Mark VI alto saxophone, s/n 160,xxx.

It was the sixth new model to come from the factory since they began making their first saxophone in 1922 and boasted a bunch of new design features. Dec 04, 2019ALTOs-BLIND-4x: Selmer Mark VI 199k, The Martin Alto 169k, Olds Super 1319.If you are looking to buy a sax you may even be wondering can modern Selmer saxophones compete with the legendary classic horns.But, how did this Selmer Mark VI saxophone become such an object of desire and is there any truth to the myth?The Mark VI was first produced by the Selmer company in 1954. White Zephyr Eb Alto Saxophone Fantastic. Whole websites and blogs are dedicated to listing the ultimate serial number range for the вЂњperfectвЂќ Selmer Mark VI and collectors seek out horns from lofts and under beds around all corners of the globe.Vintage King H. Over the last 20 years, prices for Selmer Mark VI tenor and alto saxophones have climbed to as high as.

Although the Selmer designs had been improving, from the release of the revolutionary Balanced Action model in 1936 through to the Super Action horn, the Selmer Mark VI brought the best combination yet of key work, tone, and intonation.In fact, some would argue that this model was the вЂperfect stormвЂ™ of design improvements, and the new key designs from the Selmer Mark VI are still the benchmark for most new horns these days.Selmer produced the Mark VI until 1974, making thousands of instruments during the twenty year run. Serial numbers stamped on the neck are used to recognize the Selmer saxophone models. The Super Action 80 was introduced by Selmer in 1980.These new models are documented with serial numbers.

Even from the 1970s, players like David Sanborn and Michael Brecker were huge advocates of the Mark VI and that continuesВ today.Undoubtedly the Mark VI is a very good horn and was significant when it first came out. Of course, these players were buying a new вЂњ Mark VI вЂќ horn at the time, without knowing the myth that would surround the instrument in years to come.вЂњPlayers were changing to the Mark VI because the feel of the keywork and the intonation was so much better,вЂќ says legendary repair man Emilio Lyons, whoВ has rebuilt horns for players like Stan Getz and Phil Woods.As these players inspired the generations that followed, the Mark VI became part of the legend that needed to be replicated, along with the mouthpieceВ (and sometimes lifestyle!). Legendary statusThe Mark VI was used by many of the great players who came up through the 1950s, like John Coltrane, Sonny Rollins, and Wayne Shorter. Although it took 3 years to develop the new Mark VII model and it included changes to the octave mechanism, spatula keys, neck, and bell, the Mark VII never received the same welcome as the previous model and is generally considered as less desirable. New developmentsIn 1974 the last Mark VI tenor and alto saxophone horns rolled off the production line, and Selmer launched the new Mark VII.

Actually I ended up selling my original VI to Laurent Hunziker in France who performs with вЂњThe Logical TrampsвЂќ вЂ“ a tribute band. IвЂ™ve used horns constantly on tour with Supertramp and besides the usual maintenance, both have been great reliable instruments. The sound has a great focus and the horn really takes whatever I give it. This gave each horn an individual characteristicВ unlike the consistency you get from horns manufactured with modern techniques.Living with a Mark VI : John Helliwell вЂ“ SupertrampI bought my first Mark VI tenor brand new in 1964 and used it right through till 1997, when I replaced it with a (new) one from 1960! I love my Mark VI tenors. вЂњChanging the bell though,В does make a big impact on the projection and warmth of the soundвЂќ.Another consideration is the fact that the Mark VI bells were hand drawn using a different process to modern horns.

вЂњBecause the Mark VI was built so solidly, a good repairer can bring any horn back to excellent condition that will last another 50 years,вЂќ he says.However at the prices that Mark VI horns fetch these days, you could argue that itвЂ™s a risky venture taking one out on tour with you. The good news is that everything can be put right on a quality horn like a Mark VI.вЂњAlthough it is a popular myth that there are вЂgoodвЂ™ and вЂbadвЂ™ Mark VI horns, it really just depends on how well the horn is repaired,вЂќ says Emilio Lyons. YouВ need to expect more maintenance unless your horn has a complete overhaul and rebuild by a good repairer.Understandably many horns of this age have had a lot of use, and this can affect not only pads and corks, but alignment of the body, and wear on the keywork.В Even the main body tube itself can be bent over years of playing. ItвЂ™s a bit like using a classic car as your daily commuter.

Selmer Alto Saxophone Mark Vi Plus Tutor Support

All this plus tutor support and community access included with your 14 day access to Sax School. Next Steps:Get access to full repair masterclasses with Steve Crow PLUS hundreds of lessons, 60+ courses and our complete masterclass archive featuring the worldвЂ™s best players. And, itвЂ™s a great instrument to play and enjoy, regardless of whether you appreciateВ the history of great players who have used these horns, the sound and playability, or just the sheer beauty of the instrument.Regardless of whether you buy into the myths of the Mark VI, it is a beautiful instrument and a part of musical history that will hopefully stay with usВ for years to come.